Here we have a full 180 degrees of the same river from a different location.
I love the colour saturation in these images.
This is, or at least was one of my favourite fishing locations, but they changed the lighting, so the water isn’t as well illuminated at night. As a result this wonderful location, such a short drive from home has more or less shut down.
Still, it’s a pretty picture. It’s also one of the most polluted places in Sydney, the sediments being filled with all sorts of crap from a hundred years worth of industrial use.
When it comes to panoramas, this is my masterwork so far.
The other end of the Enmore tunnel, it’s a pair of staircases, perpendicular to the tunnel itself, and is the very reason I got into panoramic imagery – to hunt down these filthy run down inner city locations, and find the beauty of their geometry. I’m going to get back into it in a big way in the near future hopefully.
This tunnel is one of the great and interesting locations of Enmore. Said to be haunted (suuuure) it’s almost certainly had its share of muggings and unpleasantness over the years. It’s such an obvious ambush location you can’t help but feel trepidation as you walk through it.
At one stage it was filled with graffiti, really good graffiti that must have been decades old, well before the artless tagging style that arose in the 90s. Much of it actually brushwork. The council in their wisdom decided to destroy that particular bit of local history and repaint it all with a fresh coat of yellow. In the 7 or so years since it’s filled with grafiti again, but it’s all spraycan tagging crap.
This is an early attempt at a high dynamic range image. It’s a bit difficult to make out, but the location of the image is in the back of a very tight corner at one edge of the graveyard.
See all those headstones against the wall. Oh yes “You son of a bitch. You moved the cemetery, but you left the bodies, didn’t you? You son of a bitch, you left the bodies and you only moved the head stones. You only moved the head stones. Why? Why?”.